# Robert Ashcroft, Partial Inspiration, and the Charge of Misrepresentation by Robert Roberts
The controversy surrounding Robert Ashcroft in the 1880s became one of the most significant debates within the Christadelphian community concerning the nature and extent of Biblical inspiration. Ashcroft’s position, expressed chiefly through his magazine *The Exegetist*, questioned whether inspiration guaranteed absolute freedom from error in every historical or incidental statement found in Scripture. His opponents, especially Robert Roberts, interpreted his arguments as an outright denial of full inspiration. However, surviving reports and quotations indicate that Ashcroft believed he was being misrepresented, and that his actual aim was to clarify—not destroy—the doctrine of inspiration.
The origin of the controversy is commonly traced to Ashcroft’s published writings. A later historical reflection summarized the situation as follows:
> **“As everybody knows the suggestion that inspiration did not ensure freedom from error was introduced by brother Ashcroft, in the *Exegetist*, and supported by brother Chamberlain.”**
This statement shows that Ashcroft became associated with the idea that inspiration did not necessarily remove all possibility of error. Yet this description also reveals something important: it refers to a *suggestion* introduced in discussion, not a formal rejection of inspiration itself.
Historical summaries likewise describe Ashcroft’s challenge to prevailing assumptions about plenary inspiration:
> **“…the controversy on the Inspiration of the Bible arose in October, 1884, and originated in an article in the *Exegetist*, a magazine founded by an ex. Rev. — R. Ashcroft.”**
The same report explains the controversy in stronger language:
> **“…rejected the doctrine of the Bible’s entire inspiration, which it termed the plenary theory of inspiration… ‘The verbal and plenary inspiration claimed by some for the original scrolls is clearly untenable’.”**
Here the dispute becomes clearer. Ashcroft was not attacking Scripture itself, but what he saw as an exaggerated claim regarding *verbal and plenary* inspiration. His contention was that Scripture could be divinely guided while still containing elements arising from human investigation, memory, or expression. To his critics, however, any limitation on inspiration appeared equivalent to denying it altogether.
Ashcroft also pointed to passages that seemed to demonstrate human processes at work in the composition of Scripture. One historical analysis summarizes his reasoning:
> **“Ashcroft assumed … that Luke had gone round collecting eyewitness testimony and did not need inspiration to write his Gospel, and he also believed that in 1 Corinthians 7:12 Paul was disclaiming inspiration for what he wrote.”**
In Luke’s prologue, the author openly describes gathering accounts from earlier witnesses. Ashcroft argued that this shows historical research rather than supernatural dictation. Similarly, Paul distinguishes between instructions he attributes directly to the Lord and those he gives as his own judgment. Ashcroft took such distinctions seriously, seeing them as evidence that Scripture itself acknowledges varying modes of authority within its writings.
Opponents, however, interpreted these arguments as an attack on Scripture’s authority. Contemporary responses recorded in *The Christadelphian* magazine show how Ashcroft’s views were understood by critics:
> **“It is not a case of ‘misunderstanding,’ unless brother Ashcroft has hastily and un-advisedly endorsed the false theories of other writers. … 1. That the Scriptures, in both Old and New Testaments, are without qualification, and, in their entirety, the work of divine inspiration. 2. That brother Ashcroft disavows and abandons the doctrine of a limited inspiration…”**
This passage reveals an attempt to force a resolution: either Ashcroft must accept unlimited inspiration or be regarded as denying it. The framing leaves little room for nuance. To Roberts and others, anything short of complete plenary inspiration appeared unacceptable.
Reports from the period show that Ashcroft’s lectures and writings provoked intense reaction. One historical summary notes:
> **“Ashcroft’s lecture *Inspiration; its Necessity, Nature and Limits*. Brethren were puzzled — what could these limits be? ... The Christadelphian for December 1884 was essentially devoted to defending the truth that the Scriptures are wholly given by inspiration of God, a fact now denied by Bro. Ashcroft.”**
Yet this characterization itself is part of the dispute. Ashcroft’s own title, *Inspiration; its Necessity, Nature and Limits*, suggests he did not deny inspiration but sought to define its operation. His concern lay with what inspiration accomplished and where human participation remained involved.
The heart of the disagreement, therefore, lay in definitions. Roberts and his supporters equated inspiration with complete immunity from error in every detail. Ashcroft questioned whether Scripture itself supported such a rigid formulation. By pointing to Luke’s investigative method and Paul’s personal judgments, Ashcroft argued that inspiration worked through human processes rather than replacing them entirely.
From Ashcroft’s perspective, his critics misunderstood—or misrepresented—his position. He did not deny the divine authority of Scripture but rejected the assumption that every statement must have been dictated or supernaturally corrected. His emphasis was on understanding inspiration realistically rather than defending what he considered an unsustainable theory.
The controversy also reveals broader tensions within religious communities when doctrines are challenged. Once Ashcroft’s views were labeled “erring inspiration,” it became difficult for moderation or clarification to succeed. Debate hardened into factions, and reputations suffered accordingly. Ashcroft eventually withdrew from fellowship, suggesting the controversy took a personal as well as theological toll.
Robert Roberts, defending what he saw as essential doctrine, portrayed Ashcroft’s arguments as a denial of Scripture’s authority. From Roberts’ perspective, protecting confidence in Scripture required rejecting any suggestion of limitation. Yet historical records indicate that Ashcroft’s own intention was not destructive but corrective. He aimed to reconcile faith in Scripture with observable features within the biblical texts themselves.
Thus, the dispute between Ashcroft and Roberts illustrates how theological disagreements can become conflicts over representation as much as doctrine. Ashcroft maintained that Scripture was inspired but not in a mechanically flawless sense. Roberts maintained that inspiration must be complete to preserve authority. Each believed he was defending truth; each believed the other endangered it.
The surviving quotations show how Ashcroft’s position became framed by opponents in the strongest possible terms. Whether one agrees with his conclusions or not, the record indicates that his views were often summarized in ways that left little room for his own explanations. The controversy remains an instructive episode in the history of debates over Biblical inspiration, demonstrating how differences in definition can escalate into accusations of denial, and how theological nuance can be lost in the heat of controversy.

