By the late second century, Valentinian Gnosticism had developed a highly intricate cosmology. Though it exhibited some variations within its interpretations, a basic framework can still provide clarity for understanding its views on creation and the divine order.
From the Valentinian perspective, the creation narrative is seen as an unfolding of the divine emanations, beginning with a prologue that precedes the Judeo-Christian understanding of Genesis. This pre-creation phase involves the emanation of divine powers, or aeons, from the ultimate source, Bythos (the Depth), which represents the hidden and ineffable Father. The Valentinian cosmology views the material world as the culmination of a process of divine emanation, wherein the Pleroma, or spiritual fullness, gradually unfolds into the creation described in Genesis, revealing the deeper, mystical truths of divine order.
The Valentinian interpretation of Genesis 1, as presented by Irenaeus in *Against All Heresies*, offers a deeply symbolic view of the creation narrative, aligning it with their understanding of the emanation of the Aeons from the ultimate source, the Father. This interpretation reflects the idea that all things in creation are a reflection of the divine, ordered in a pattern that mirrors the structure of the divine realm of Aeons. In this schema, the creation story becomes a representation of a hidden, invisible spiritual process that unfolds into the visible world, a world that mirrors the hidden, divine reality.
At the beginning of Genesis, when Moses declares, "In the beginning, God created the heaven and the earth" (Genesis 1:1), the Valentinians see this as a reference to the first Tetrad of divine principles. This Tetrad consists of **Bythos** (God), **Charis** (beginning), **Nous** (heaven), and **Aletheia** (earth). These four elements form the foundational principles of the cosmos, the first emanations of the divine source. **Bythos**, the unknowable depth, is the source from which all emanation begins. **Charis**, representing grace or the beginning, initiates the unfolding of divine power. **Nous**, or divine mind, is the principle of intellectuality, while **Aletheia**, or truth, represents the principle of reality or manifestation. Together, these four represent the unspoken, invisible foundation of all creation, much like the earth in Genesis is initially formless and void, unseen and unmanifest.
The second Tetrad, as described in the Valentinian system, is made up of four further Aeons: **Logos** (abyss), **Zoe** (darkness), **Anthropos** (water), and **Ecclesia** (Spirit). These are the next emanations from the first Tetrad. The second Tetrad represents an even deeper layer of spiritual principle, and like the first, it is described as invisible and hidden. The abyss (**Logos**) is the deep, the origin of the divine speech, while **Zoe**, representing life, emerges as the spiritual substance that gives all things existence. **Anthropos**, or the divine human, corresponds to the primal water, representing the potential for life, while **Ecclesia** (Spirit) corresponds to the divine principle that moves through the creation, unseen but vital for existence. These four principles are not yet visible in the physical realm but are rather the invisible causes of all that is to come.
Next, we encounter the Decad, represented by ten emanations that begin to take visible shape and form in the creation narrative. These Aeons correspond to the ten elements of the creation story as described in Genesis 1:3-13—light, day, night, firmament, evening, morning, dry land, sea, plants, and trees. Each of these represents a further step in the unfolding of creation, moving from the invisible to the more manifest. The Valentinian Aeons corresponding to these ten are: **Bythios** (light), **Mixis** (day), **Ageratos** (night), **Henosis** (firmament), **Autophyes** (evening), **Hedone** (morning), **Acinetos** (dry land), **Syncrasis** (sea), **Monogenes** (plants), and **Macaria** (trees). These Aeons reflect the natural elements and phenomena of the created world, signifying the move from the hidden, spiritual realms to a more visible and tangible creation. The Decad represents the increasing visibility of the divine process as it emanates through the layers of reality, bridging the gap between the invisible and the visible.
The Duodecad, consisting of twelve Aeons, represents the most visible and manifest stage of creation, corresponding to the twelve elements in the Genesis account that follow the creation of trees. These are the sun, moon, stars, seasons, years, whales, fishes, reptiles, birds, quadrupeds, wild beasts, and man. The Valentinian Aeons corresponding to these elements are: **Paracletus** (sun), **Pistis** (moon), **Patrikas** (stars), **Elpis** (seasons), **Metricos** (years), **Agape** (whales), **Ainos** (fishes), **Synesis** (reptiles), **Ecclesiasticus** (birds), **Macariotes** (quadrupeds), **Theletus** (wild beasts), and **Sophia** (man). This stage of creation is the most complete manifestation of the divine, and man, as the highest creation, embodies the fullness of the divine image.
Finally, the Valentinian view teaches that the Ogdoad, the eight invisible Aeons, is hidden within the body of man. The Ogdoad is the unspeakable and invisible power, located within the inner recesses of the human being, symbolizing the hidden spiritual forces that shape and sustain creation. These Aeons are reflected in the human body’s faculties, as man is created in the image of the ultimate source, containing within him the same spiritual structure as the divine.
In conclusion, the Valentinian understanding of Genesis 1 reveals a profound and symbolic reading of the creation narrative. Through the Tetrad, Decad, Duodecad, and Ogdoad, the Valentinian system shows the unfolding of the divine emanations, which begin as invisible, formless principles and gradually take visible, manifest shape in the creation of the world, culminating in the creation of man as the image of the divine.
In reconstructing the Valentinian teaching on Genesis 1 based on Irenaeus' *Against Heresies*, we can observe the Valentinian perspective on the creation narrative as an unfolding of divine emanations through a system of Aeons. The Valentinian system divides the Aeons into various groups, each group symbolized through different aspects of the natural world, as articulated by Moses in Genesis. The description unfolds in a symbolic manner, illustrating the structure and hierarchy of these emanations, as well as the divine image in human creation.
### The First Tetrad
The first Tetrad, representing the foundation of all existence, is composed of four central principles that are the ultimate source from which all other Aeons emanate. These principles are represented by the following:
1. **God (Bythos)** – This principle stands as the ultimate, ineffable source. Bythos signifies the depth or abyss of the divine being, the root from which all emanations emerge.
2. **Beginning (Charis)** – Charis, or grace, represents the commencement of creation and the first movement of divine will that flows out from Bythos. It is the generative force that enables the unfolding of reality.
3. **Heaven (Nous)** – Nous, or the divine mind, is the first intellectual emanation from the divine source. It governs and arranges the cosmos, serving as the rational principle behind all that exists.
4. **Earth (Aletheia)** – Aletheia, or truth, is the foundation of material existence, symbolizing the grounded reality that is hidden and formless, much like the earth before it was shaped.
This Tetrad represents the hidden, invisible source of creation, much like the earth before it was formed, as Irenaeus mentions. These four principles are indivisible and transcend visible creation, embodying the most profound and abstract aspects of the divine.
### The Second Tetrad
The second Tetrad emanates from the first, representing a further development of divine forces in the creation process. These four are:
1. **Abyss (Logos)** – Logos, representing divine reason and speech, is the medium through which the divine will is expressed and communicated into the material world.
2. **Darkness (Zoe)** – Zoe, or life, is the principle of vitality and existence. It is the foundation of the inner life of the cosmos, bringing forth life from the darkness of the unmanifest.
3. **Water (Anthropos)** – Anthropos, representing humanity, signifies the potential for consciousness and reflection. As water is the source of life in the physical world, so too does Anthropos represent the potential for rational, conscious existence.
4. **Spirit (Ecclesia)** – Ecclesia, or the assembly, embodies the unifying force of the divine, bringing together the disparate elements of creation into a coherent whole, much like the Spirit that moves upon the waters in Genesis.
This second Tetrad is still largely hidden, as the divine powers remain veiled in abstraction, but they begin to take more defined form within the structure of creation.
### The Decad
The Decad consists of ten Aeons that represent a more visible manifestation of divine order. These ten are reflected in various natural elements as Moses describes them:
1. **Light (Bythios)** – Bythios, the Aeon of light, signifies illumination and revelation, bringing clarity and structure to creation.
2. **Day (Mixis)** – Mixis represents the concept of harmony and balance, signifying the separation of light and dark and the establishment of cycles.
3. **Night (Ageratos)** – Ageratos, the eternal night, represents the mystery and the unmanifested potential of creation, balancing the visible day.
4. **Firmament (Henosis)** – Henosis, unity, represents the separation of the heavens from the earth, a divine order bringing together disparate elements.
5. **Evening (Autophyes)** – Autophyes, the self-born, embodies the cyclical nature of existence, where one cycle ends, making way for the next.
6. **Morning (Hedone)** – Hedone, pleasure, signifies the beginning of a new cycle and the renewal of life.
7. **Dry Land (Acinetos)** – Acinetos represents stability and foundation, signifying the creation of solid matter from the chaos.
8. **Sea (Syncrasis)** – Syncrasis represents the fluid, mutable aspects of creation, the realm of change and potentiality.
9. **Plants (Monogenes)** – Monogenes, the only begotten, signifies life that grows from the earth, the beginning of creation’s fertility and productivity.
10. **Trees (Macaria)** – Macaria represents the completion of the physical world, the final manifestation of nature’s abundance.
The Decad signifies the visible, structured world, with these Aeons representing elements of creation that are seen and experienced by beings within the material universe.
### The Duodecad and Ogdoad
Finally, the Duodecad represents the twelve most manifest Aeons, including the sun, moon, stars, and animals, culminating in the creation of man. These Aeons embody the fullest expression of the divine in the world. Man, created in the image of the divine, reflects the ultimate source and contains within himself the same abilities and faculties as the Aeons. The Ogdoad, invisible and unspeakable, is hidden within the human body, representing the ineffable and ungraspable elements of divine reality.
In this Valentinian schema, the world is not merely a creation ex nihilo but an unfolding process of emanation, where the divine nature is progressively revealed through Aeons. Each level of creation mirrors and reflects the structure of the divine, with humanity as the image of the ultimate source, containing within himself the potential for the divine within the created order.
1 In the Valentinian interpretation of Genesis 1, as outlined by Irenaeus in *Against Heresies*, the creation narrative is understood as a symbolic representation of the divine emanations, or *aeons*, that form the structure of the spiritual fullness, or *Pleroma*. Valentinian Gnosticism uses the account of creation to outline the cosmic principles through the use of symbolic numbers and hidden divine entities. This framework can be understood through the four primary groups that reflect various emanations from the ultimate source: the Tetrad, the second Tetrad, the Decad, the Duodecad, and the Ogdoad.
The *first Tetrad* represents the primal source of all existence, which is invisible and formless, much like the earth before creation was made visible. The grouping of four—God (*Bythos*), beginning (*Charis*), heaven (*Nous*), and earth (*Aletheia*)—symbolizes the fundamental powers at the origin of all creation. These powers are thought to represent the essential building blocks of the universe and the divine order. They are the first emanations from the ultimate source, the *Pleroma*, and signify both the generative force and the inherent hidden nature of the cosmos before it takes visible form. The earth, described in Genesis 1:2 as formless and void, aligns with this understanding, symbolizing the mystery and hiddenness of the initial creation, much like the divine powers before they manifest.
Next, the *second Tetrad* emerges as a further emanation, representing four more divine principles: abyss (*Logos*), darkness (*Zoe*), water (*Anthropos*), and spirit (*Ecclesia*). These principles are also hidden and invisible, signifying the beginning of the process of creation but still in a potential or unmanifest state. The second Tetrad brings forth the conditions necessary for formation, with water representing the latent potential within creation and the Spirit moving over it, ready to bring order out of chaos.
As the narrative progresses, Moses introduces the *Decad*, a group of ten divine powers that emanate from the second Tetrad. These principles—light, day, night, firmament, evening, morning, dry land, sea, plants, and trees—mark the first tangible manifestations of creation. These ten elements represent the unfolding of divine thought, gradually moving from the abstract (such as light and day) to more structured forms (such as land and plants). In the Valentinian worldview, these manifestations are the first clear reflections of divine qualities in the material world. The Decad symbolizes the dynamic and ordered progression of creation, with each act in Genesis reflecting a more defined, structured layer of the Pleroma's emanation.
The *Duodecad*, or the twelve emanations, represents the final phase of creation. The twelve principles—sun, moon, stars, seasons, years, whales, fishes, reptiles, birds, quadrupeds, wild beasts, and humanity—mirror the completion of divine manifestation in the physical universe. These principles are not only more visible and tangible but also embody the diversity of the material world. Humanity, as the final creation, represents the culmination of the divine image and bears the reflection of the Pleroma in the material world. The twelve components also align with the twelvefold nature of creation, symbolizing completeness and the full expression of divine attributes within creation.
Humanity itself is considered to be an image of the divine order of the *Triacontad*, the thirty *aeons* of the Pleroma. Through the human body, the various divine emanations are mirrored. The four faculties of sight, hearing, smell, and taste reflect the Tetrad. The ten fingers mirror the Decad, and the twelve primary body parts correspond to the Duodecad. Additionally, the *Ogdoad*, a mysterious and invisible grouping of eight divine principles, is understood to be hidden within the human body, especially within the internal organs, symbolizing a profound, secret aspect of divine reality.
In this Valentinian framework, the Genesis creation account is more than a literal narrative; it serves as an esoteric key to understanding the divine order and the emanation of the *aeons*. The creation story, through its symbolic use of numbers and principles, reveals the unfolding of the divine order from the highest, most hidden source to the most manifest and material aspects of existence. Through this lens, humanity itself becomes a microcosm of the divine structure, reflecting the Pleroma’s organization and the hidden mysteries of creation.
